Πέμπτη 11 Φεβρουαρίου 2010

THE SPHINX

               From : Cleopatra Savva – Vasiliki Moisiadou


                                                              


A '''sphinx''' is a mythological figure which is depicted as a recumbent lion with a human head. It has its origins in sculpted figures of Old Kingdom Egypt, to which the ancient Greeks applied their own name for the male monster, the "strangler", an archaic figure of Greek mythology. Similar creatures appear throughout South and South-East Asia. In European decorative art, the sphinx enjoyed a major revival from the Renaissance Later, the sphinx image, something very similar to the original Egyptian concept, was exported into many other cultures, albeit often interpreted quite differently due to translations of descriptions of the originals and the evolution of the concept in relation to other cultural traditions.

The Riddle of the Sphinx

The Sphinx is said to have guarded the entrance to the Greek city of Thebes, and to have asked a riddle of travelers to allow them passage. The exact riddle asked by the Sphinx was not specified by early tellers of the stories, and was not standardized as the one given below until late in Greek history. It was said in late lore that Hera or Ares sent the Sphinx from her Ethiopian homeland (the Greeks always remembered the foreign origin of the Sphinx) to Thebes in Greece where she asks all passersby the most famous riddle in history: “Which creature in the morning goes on four legs, at mid-day on two, and in the evening upon three, and the more legs it has, the weaker it be?” She strangled and devoured anyone unable to answer. Oedipus solved the riddle by answering: Man—who crawls on all fours as a baby, then walks on two feet as an adult, and then walks with a cane in old age. By some accounts (but much more rarely), there was a second riddle: "There are two sisters: one gives birth to the other and she, in turn, gives birth to the first." The answer is "day and night" (both words are feminine in Greek).Bested at last, the tale continues, the Sphinx then threw herself from her high rock and died. An alternative version tells that she devoured herself. Thus Oedipus can be recognized as a "liminal" or threshold figure, helping effect the transition between the old religious practices, represented by the death of the Sphinx, and the rise of the new, Olympian gods. In Jean Cocteau's retelling of the Oedipus legend, The Infernal Machine, the Sphinx tells Oedipus the answer to the riddle, to kill herself so that she did not have to kill anymore, and also to make him love her. He leaves without ever thanking her for giving him the answer to the riddle. The scene ends when the Sphinx and Anubis, who is there to kill the victims who cannot answer the riddle, ascend back to the heavens.

Symbolism

Andre Dessene and later Pierre Weil statistically studied the sphinx iconography. Weil was able to show in his doctoral thesis at the Sorbonne that the sphinx is most likely a representation of elements of a human being:

• Head of an eagle as the mind

• Chest of a lion as the emotions

• Lower parts of a bull as the instinct

• Sometimes head of a human representing the human being when conscious of its parts

• Sometimes a serpent representing the spiritual force or libido

From : Cleopatra Savva – Vasiliki Moisiadou

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